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Sjöberg Bildbyrå Fotograf Kristoffersson
The Move 1942 - Premium poster with matte paper
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Poster with a picture of a cute little girl in the 1950s.
Actor Charlie Almlöf seems to have been a particularly colorful personality.
Kristoffersson did a report about him and I find it published in the magazine Se no. 36 1942 with the headline The Last Anarchist Capitulates.
The headline refers to Charlie having given up his long-term bachelor life and settled down, newly married to seamstress Ruth Jacobson.
Very entertaining pictures of the couple pulling a cart with parts of their household goods along a street in Stockholm with the goal of; their new apartment at Brahegatan 42.
This is what I know about Charlie Almlöf:
Charlie Almlöf – A Swedish actor with roots
Charlie Almlöf, born December 24, 1889 in Gothenburg, was a Swedish actor with a long and distinguished career in film and theater. He was the grandson of the famous actor Knut Almlöf, which made him part of a family of actors with deep roots in Swedish theater history.
Almlöf studied at the Royal Dramatic Theatre's student school for three years and then continued his studies at the Lessing-Theater in Berlin. He also made study trips to Paris, London, Moscow, Vienna and Budapest, which gave him a broad and international understanding of acting.
He made his film debut in 1930 and appeared in a number of Swedish films during the 1930s, 40s and 50s. His best-known films include Karl Fredrik Regerar (1934), Swing it, magistern! (1940) and Fram för lilla Märta (1945).
In addition to his acting career, Almlöf was active as a lecturer and a member of several theater organizations, including the Swedish Theater Association and the Dramatic and Musical Artist Pension Association**.
His contributions to Swedish film and theater have left a lasting impression, and his name lives on – including through Almlöfsgatan in Stockholm, which is named after his acting family.
Our premium quality, heavier, white, matte paper has a natural, smooth, uncoated finish that feels luxurious to the touch.
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